Thursday, April 24, 2014

SCULPTURE AND VIDEO RETROSPECTIVE

SCULPTURE RETROSPECTIVE/VIDEO RETROSPECTIVE
 
PURPOSE:
To show past and present "sculptures" with a corresponding catalogue to articulate Montano's 4-part sculptural evolution:

1. OBJECT MAKING  1965-PRESENT

2. CONCEPTUAL/LIVE OBJECT PRACTICE: CHICKEN SHOW   (live or virtual chickens)

3. PERFORMANCE OF SELF AS A "LIVING SCULPTURE":  CHICKEN BED, 14 YEARS OF LIVING ART

4. VIRTUAL SELF-SCULPTING VIA VIDEO (45 ENTRIES)

BACKSTORY: 
 MONTANO studied classical sculpture in Tuscany where she received a sculpture MA and at  the University of Wisconsin, Madison, she received a MFA in sculpture with the presentation of THE CHICKEN SHOW, 9 live chickens in three 20 feet by 10 feet by 10 feet cages.
In the 70's she literally entered her work as  a "LIVING SCULPTURE" and became THE CHICKEN WOMAN; lying down, sitting , dancing and singing as that persona.

THE SHOW:

1. 7 EARLY SCULPTURES: WOOD, METAL, STONE: RELIGIOUS ART, TORSO, HEAD, etc.

2. THE CHICKEN BED, THE CHICKEN SHOW etc.

3. NUMEROUS PHOTOS OF SCULPTURES FROM THE ARCHIVE.

4. OBJECTS IN VITRINES FROM EARLY PERFORMANCES.

5. THE ENTIRE 14 YEARS OF LIVING ART SHOW. See You Tube: SHHHHH

6. A WALL OF 45 MONITORS EARPHONED SO THAT A "SCULPTURAL" EFFECT IS CREATED BY REPETITION. EACH WILL HAVE ONE OF MONTANOS VIDEOS FROM 1970'S-NOW.

7. A CATALOGUE/BOOK WITH IMAGES OF EACH ENTRY AND A POSSIBLE DVD OF VIDEOS.

CONNECTION BETWEEN ENDURANCE AND PERFORMANCE

ENDURANCE&PERFORMANCE



In 75 I began morphing into 7 different imaginative people and sat in front of a video camera for a year talking in different accents as these people. see the video: LEARNING TO TALK

I call this work "CREATIVE SCHIZOPHRENIA".

The 7 people were all survivors in their own given professions and fields.

In 1975 I blindfolded myself for 3 days, taking away sight, knowing that this brought me closer to my real self because sight is so judgmental-making. I called this becoming a Guru.

When I moved to NY State and began seeing my birth family again I realized that a few of us look like Bob Dylan, especially my brothers,  and so I began performing as Bob so that I could be like my brothers having always wanted to be a man as a child, knowing that they were always getting the better cultural deal.

Theologically I was being introduced to the paradigm of not being identified with body or mind and getting out of my body as a spiritual practice gave me access to this teaching.

After being bent over with a neurological chronic condition called dystonia, I heard an inner voice say, "Linda you look just like Mother Teresa, all wrinkled and bent over." Voila, Mother Teresa was born.

The mechanical lift appeared in my work the day John Lennon was murdered. Endurance appeared in my work in my mother's womb which I distinctly remember.




PADRE PIO AND MY FATHER/ULA COMES AND VISITS 9 JOHN STREET





STORY 1: PADRE PIO AND MY FATHER

As a child, my grandmother who immigrated from the place very near where Padre Pio lived and also close to his church and hospital in the Abbruzzi area of Italy, talked to me about two Catholic saints: St. Maria Groetti, the young woman who chose death over forced sex with her neighbor, and St. Padre Pio, the mystical stigmatist and confessor.

 The memory became even more powerful because this was her only message/words I can remember her ever saying to me and I think she power pointed the saint-lesson even more forcefully  because she showed me photos of them both, although I'm not certain if it was one photo or two. This is the grandmother who was a selective mute, silent, self-contained, dignified, distant but powerful. This is the grandmother who woke up from the Spanish Flu to be handed a photo of her coffined 3 year old daughter who died of the same disease that ravaged so many in 1918. For the rest of her life, Grandma went into an even deeper silence although she hardly talked at all anyway since she must have felt so isolated since the Montanos were the only Italian speaking family in Saugerties. Her language became silence. Grandma would sit at the front room window in her priest son's room and say litanies of rosaries, hour after hour.   Real Silence. Mourning? Healing? Seeing Ula? I remember this .

And her beautiful son, my father, who was the real saint of the family, the real beauty, the one who gave his mother an insulin injection every day; the one who was the brains of the family and brilliantly kept over 25 people afloat and prosperous; the one who had a deep interiority that shone and demanded that you observe his silence and see the light coming from him; the one who kept it all together and used music as medicine; the one we all wanted as friend and advisor; yes, this father was the recipient of slack, dangerous and fatal medical care in PT when he was pushed beyond his 89 year old limits by a faulty and un-professional therapist and had an accident which was not then addressed properly.

This father became the recipient of a miracle as a result?  That is such convoluted thinking on my part!!! Was dad physically harmed by inefficiency so that he could have a hemmoragic stroke and be reduced to 24-7 bed care for 3 years and because of this,  merit a visit by Padre Pio? Remember that Padre Pio who was known for his bi-locations, had an  ability to be in 2 places at once, before and after his death. Was a medical faux pas a trade off because from that tragedy, my dad was visited by Padre Pio  on December 27th, 2001 between 1 and 4 pm at 9 John Street, Saugerties NY.

I would not have known about this miracle had I not brought a large Padre Pio  poster to the hospital to Dad's bedside on December 30th, 2001, a few days after his stroke. He energetically and happily took it from my hands and said in a voice that was compromised by non-word recognition because of faulty wiring in his medically damaged brain, for example when he called out to my mom, Mildred,  he called her Milicent . So it was no surprise that my beauty father began talking even more gravely and Italian-like and said, "Oh that's Joe Pio. He's the one who came to help me."
 
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"I have made a pact with the Lord: when my soul has been purified in the flames of purgatory and deemed worthy to be admitted to the presence of God, I will take my place at the gate to paradise, but I shall not enter until I have seen the last of my spiritual children enter." PADRE PIO
 
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 STORY 2:  ULA VISITS 9 JOHN STREET
 
Dad was home for 3 years. In fact he was buried on December 27th three years to the day he hit his head in PT. We brought a hospital bed into the living room and I was the doctor, nurse, care manager, daughter and detective...watching out for his best interests.  24-7 caregivers.
 Twice his sister Ula came to help. She was short, three years old,  and just a grey "presence" in form, walking from one side of the dining room to the other. Twice. Dad and I were at the kitchen table so in facing the dining room I was able to see her.  By that time nothing was a big deal!!! It was all equalized by the "unreal", Dad's favorite word. I never told Dad that I saw her at  9 John Street.
Dad was six years old when Ula died. ...Ula his sister, his playmate. I have old sepia photos to prove that they loved each other.
And after a relative visited with a baby he thrashed in discomfort and agitation, shouting after they left, "I didn't do it, I didn't do it"!!  "Think quick, Linda. We need a miracle of miracles," I said to myself, more courageous now than I had been when we could have discussed Ula and all of this 40 years ago. And intuitively, spontaneously, miraculously, happily I was able to remind Dad that she died of natural causes, the Spanish  Flu. "Nothing to do with anything you did Dad. She was sick and you were six years old and nothing you did harmed her." By then the gates were open and I added, "Just like I shouldn't feel guilty that Mitchell was murdered after I left him. Right Dad?" Confessions/absolutions. That day was a two-in-one at his bedside.
 
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"PRAY, HOPE, DON'T WORRY. " PADRE PIO

WALK IN YOUR CHAKRAS FOR DOMINIQUE REY CLASS



WALK WITH/IN YOUR CHAKRAS

FOR 3 DAYS WEAR ONE COLOR OF THE RAINBOW.

ALL RED, ORANGE, YELLOW, GREEN ,BLUE , PURPLE, WHITE

DONT BUY ANYTHING NEW , BORROW CLOTHES.....DONT SPEND $$$$$$$$$$$$$$$

AT THE END OF THREE DAYS, GO TO MY WEBSITE  WWW.LINDAMONTANO.COM AND READ CHAKRA STORY

ON SKYPE, DISCUSS ONE BY ONE WITH ME , WHAT YOUR COLOR TAUGHT YOU.
 

PHOTO OF ME AS PAUL MCMAHON BY NAO BUSTAMONTE

Lina Mary Montano

LINDA AS BOB DYLAN BY ANNIE SPRINKLE, 1989

LINDA MARY MONTANO ENDURES AS BOB DYLAN MAY 24, KLEINERT WOODSTOCK


             


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Linda Montano endures as Bob Dylan
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Where: outside the Kleinert/James Center for the Arts, 34 Tinker St., Woodstock, NY 12498
Time: 12-7pm
Date: Saturday, May 24 (rain date: Monday, May 26, 2014, Memorial Day)
Admission: Free


FOR IMMEDIATE RELEASE:
LINDA MONTANO ENDURES AS BOB DYLAN ON HIS 73rd BIRTHDAY



Woodstock, NY: On Saturday May 24, in honor of Bob Dylan's 73rd birthday, the Woodstock Byrdcliffe Guild will be hosting a performance by artist LINDA MARY MONTANO. Montano will lip-synch to Dylan's songs for 7 hours, positioned on a 14-foot lift stationed outside of the entrance to Byrdcliffe’s Kleinert/James Center for the Arts on Tinker Street.

Since the 1960s, Montano’s career has addressed questions of time, the deeply personal, and the life-affirming, with underlying currents in theology and feminism. She performs rites of emotional passage, mirroring life experiences, and experiments with making the interior exterior, or the private public.  Starting her career as a sculptor, Montano’s performance practice began in 1975 with a technique she refers to as “creative schizophrenia.” She “began morphing into 7 different imaginative people,” said Montano in a recent interview with the event’s organizer, long-time Byrdcliffe supporter Alan Baer. “I sat in front of a video camera for a year, talking in different accents as these people. The 7 people were all survivors in their own given professions and fields.”

Montano’s performances, sometimes called “endurances,” can last anywhere from three hours to fourteen years.  She is known for her sensory deprivation endurances of the 1970s. From 1983-1998, she wore clothing all of the same color for each individual year, corresponding to the Hindu map of the Chakras. The Dylan endurance outside the Kleinert/James stems from her realization that members of her family bear a striking resemblance to Bob Dylan. She began performing in the persona of Dylan in order to “be like my brothers, having always wanted to be a man as a child—knowing that they were always getting the better cultural deal.” The mechanical lift that will be part of Montano’s performance on May 24 is a tool she began using the day of John Lennon’s death; in 2013 she completed two different 7-hour singing endurances on a lift at SITE Santa Fe. Her interest in and/or performances of Dylan, Woodstock legend Paul McMahon, and other historical figures including Mother Theresa are intricately linked to Montano’s investigations of the blurred boundaries and interconnections between art and life--between being, having been, and wanting to be—or not being anyone at all.

Montano has taught her methods and performance art theories for many years and has written four books about her findings.

Organized by Alan Baer, Linda Montano’s Bob Dylan performance on May 24 will also give visitors the opportunity to see the exhibition of international, contemporary artists, BASH, on its last day in the Kleinert/James. An additional art-related event (details TK) will occur in the gallery on Monday, May 26, when the gallery will remain open to the public. Monday May 26 is also the rain-date for Montano’s performance.
 
Credit lines:
Left and right: from video LINDA AS BOB DYLAN.  Video editor, Tobe Carey; Camera:Diane Teramana
Center: Annie Sprinkle