Tuesday, October 10, 2017

THE PERFORMANCE OF MONTANO'S SHOE STORE

THE PERFORMANCE OF MONTANO'S SHOE STORE



THE PERFORMANCE OF MONTANO'S SHOE STORE




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THE PERFORMANCE OF MONTANO'S SHOE STORE: LINDA MARY MONTANO 2000/2016


Years and years ago my Compobosso-Guardielfiera Italy-born grandfather immigrated to NY State via Ellis Island to repair and eventually sell shoes. I remember him well: a large, silent, gently commanding and charismatic presence who visited our home a block away from his in Saugerties NY. Every Sunday he came and I performed the ritual of getting his approval as he sat in the side room with me while I stumbled through that week's piano lesson. It ritualistically ended when I would turn around, face him and try to gauge how much he liked my "concert." Getting Grandpa Montano's blessing was a good thing and his response was never over effusive, patronizing or boundary breaking....just kind attention with the promise of a continuation of his weekly listening and caring presence. The 50 cents he always gave me and his mantra that he always said, " Could do better," something he said a lot about a lot, were incidental to his being there and his support but admittedly important components to the whole experience which was a fine introduction to my learning  the art of performing, a genre and vocation that I continue even now, 50 years later. Everything was there: good attention/focus/audience/continuity/challenge/support/culture/feelings and the irony of the same response repeated every time.  And MONEY! put them all together and you've got excellent training for a performance art career. Thanks Grandpa.


But back to the shoe store. Grandpa was nine when his mother died and he and his father lived with his aunt. He was the only surviving child of five siblings, had three years schooling and started shoemaking when he was 9, a practice that he continued for 10  years in Guardielfiera-Compobosso. School was in the morning and work in the afternoon. The pay was food.


When he came to America at 19 ( the Italians came after the Irish, just something sociological to think about) he lived with distant relatives in Hudson NY and worked there to repay his fare which they had shipped to him so that he could come here. He stayed in Hudson three years repairing and selling shoes, paid off his debt, then tried to find a place in Coxsackie  and couldn't so he moved to Saugerties NY ( it says Friendly/Historic Saugerties on the sign as you enter the village) which is on the west side of the Hudson River. There he opened Montano's Shoe Store, made enough money for Maria Chioco's fare and sent for his wife to be who also came via Ellis Island and was as spiritual, silently dignified, stalwart and devoted as her husband to be. Grandma and Grandpa raised their family here, not in Glasco, the village 15 minutes south where all of the other Italians lived, but here, in Saugerties, where the "business" is/was. Another sociological fine point.


Montano's Shoe Store continues, some 94 years later, changing only locations( moving one store north)  but never the "look" or intention to serve or the outstanding quality of their products.  Oh, yes, there is one change: absent from the store is the wood-paneled five foot high machine which we visited daily as kids when we went to see my Dad. We would stick our feet inside the two slots so that we could see our foot bones, never realizing the foolishness of frequent x-rays (nobody did in the 50's). It disappeared from the store in the 60's. Question: what are we inadvertently doing today that will be verboten tomorrow?


My dad and uncle ran Montano's with their father along with my other uncle who worked in the bank and would come and help out at emergency full-force times. These days had designated code names , for example: back to school; Christmas; rush; no tax week; new spring line. We all knew this secret language and were alert to what it meant: Montanos rushed through lunch or didn't eat at all; Montanos focused fiercely and their eyes went from feet to shoe box exclusively; and everyone was on call, children included, especially my mother who actually seemed happy to be summoned from housewifery to another kind of interaction, one more adultly public. Even though Mom was an accomplished painter and volunteered for several committees in town, she was absolutely loyal to Montano's Shoe Store. Her dyed shoes for weddings were legendary and demanded accuracy and an artists sensibility, one she had in overabundance.


My fascination has never waivered for the actions which the Shoe Store people perform. It's the place where everyone who enters is bowed to, in a way.  Customers sit and their feet are touched, felt...toes are gauged as to their position in the shoe about to be sold (the very famous Montano trademark)  and the art of shoe fitting is a reliable and professional rite of passage performed on everyone who comes through the door.  Since visiting India and witnessing the foot touching rituals of respect performed there, I am again left with comparisons that I would like to peruse, but this is not the place for this anthropological dialogue.


The shoe store is the place where a whole lot of kneeling and a whole lot of healing happens. For isn't the foot one of the most important places in the body?  If the foot isn't comfortable and well-soled, the body cant maneuver through life smoothly. We need support to defy the pull of gravity and walk well in this mysterious and ever-moving-turning planet earth with its daily challenges and calls for discriminating sure-footed compassion.


Montanos Shoe Store is in a village which is gentrifying as we speak and filling to the brim with antique stores, a biscotti bakery, a many "starred" NY Times best restaurant and a few Soho-like gourmet coffee/lunch spots.  It's here in Saugerties, a somewhat best kept secret village, where Grandpa Montanos Shoe Store sells womens, childrens and mens: boots, sneakers, clogs, slippers, shoes, shoelaces, shoepolish and laces. Just like it did in 1906. Orthodics is new and a 90's addition as Grandpa's initial vision continues.


For 94 years, all of the Montanos who have worked there and do work there( too many to list) and an incredibly supportive staff have been kneeling down at their customer's feet and fitting/healing:


the lame
the pronated
the drop footed
the metatarsalgiaed
the foot splayed/slew footed/out toed
the dystoniaed
the bunioned
the arthritically reconfigured
the hammertoed
the ingrown toenailed
the mallet toed
the warted
the post stroked
the tibial torsioned
the new hip/new kneed
the blistered
the flatfooted
the gouted
the swollen footed
the high arched
the heel spured
the claw toed
the fat pad dimished
the corned
the calloused
the plantar fasiatused
the parkinsoniaed
the ligament bruised
the one leg length compromised
the polioed
the club footed
the metatarsal-compromised
the toeless
the diabetic foot infected
the Raynauds-cold footed
the one foot bigger discrepancied
the broken toed




....as well as the tri-athletes, the dancers, the walkers, the first graders, the carpenters needing steel toe shoes, and as  Joan Reinmuth reminded me...... "the sandals, shoes and boots for the children....and the nurses shoes, hunters shoes, firemens shoes, electricians shoes and party goers shoes." And I most happily add: the cowgirl/cowboy boots!  Now you see why people walk out of the store after a shoe treatment from a Montano, dancing and crying with gratitude and no-pain joy!


In conclusion:
For 94 years Montano's Shoe Store has seasonally and tastefully decorated their front windows to reflect the seasons and the new styles in stock.
For 94 years three generations of Montanos, their families and staff have been supported financially; food, clothing, schooling, cars,  from Montanos Shoe Store.
For 94 years sons and daughters and sons of sons have worked there. Now third and fourth generation sons are owners.
For 94 years the reputation for providing a good fit, good service, and the respect of a family atmosphere continues the tradition.


Recently three of the staff were not at the store and with only three others  there during "back to school" rush, they needed someone to answer the ever ringing phone. I "performed " that duty, watched from the back room and observed an incredible , living performance:


Their performance of focusing on the task at hand with daily, supreme patience-9-5
Their performance of service to all people all day long, 9-5
Their performance of ordering/shelving/stocking/sending/adjusting/building up/putting supports in shoes, 9-5
Their performance of accommodating squirming children, tremoring elders, undecided/picky boomers, returnees, 9-5
Their performance of seeing every kind of unmentionable foot, sock, foot condition imaginable, 9-5
Their performance of maintaining a traditional look so long that its back in style again and has become retro, 9-5
Their performance of family business being well done with dignity and caring service, 9-5
Their performance of healing disguised as  business, 9-5


The performance artist in me is in awe! The ENDURANCE ARTIST in me applauds!


Thanks Grandpa and Grandma Montano. Grandpa, I know you would say, "Could do better,"  but I am looking at the picture of you in the front window and hearing you say, "I BLESS YOU ALL."


Linda Mary Montano, 2000


www.montanosshoestore.com

LINDA AND TOBE 20 YEAR COLLABORATION

CELEBRATE  LINDA AND TOBE: 20 YEAR COLLABORATION


 
DEAR  FRIENDS/COLLABORATORS:
Please mark your calendars and come to this celebration .
To share your collaboration with us:
1. bring your cell phone if u wish. Wear what you wore in your video?
2. dial to the you tube you are in
3. let everyone crowd in to see it/you for 30 seconds
4. talk 1-2 minutes about ur collaboration
5. or perform as you wish. Beth Wilson will be the MC and will keep time/etc
6. see you SUNDAY NOVEMBER 13.
7. BYO popcorn and DRESS WARM. Invite ur friends also to come.
In art/life/collaboration,
LINDA AND TOBE





                                                                                 COME AND CELEBRATE WITH US

WHAT:  COLLABORATORS=US:  LINDA MARY MONTANO AND TOBE CAREY CELEBRATE 20 YEARS OF MAKING VIDEOS TOGETHER: 1996-2016
TIME  AND WHERE: 2PM SAUGERTIES VILLAGE BEACH-END OF PARTITION STREET
WHEN : SUNDAY NOVEMBER 13. 2PM
WHO: LINDA MARY MONTANO, TOBE CAREY, MEG CAREY AND ALL WHO WERE PART OF THIS 20 YEAR JOURNEY
THE MASTER OF CEREMONIES: BETH WILSON

THE HISTORY
FILMS: LINDA MARY MONTANO
ALL EDITING/ANIMATIONS: TOBE CAREY
FILMED/CAMERA:
TOBE CAREY:  VIDEOS/ALL ANIMATIONS
DIANE TERAMANA: FILMED LINDA AS MOTHER TERESA, LINDA AS PAUL McMAHON
JOSEPHA GUTELIUS: FILMED NURSE, NURSE
CINDY MILLER: FILMED DYSTONIA
MARK SHAW: FILMED LINDA AS MOTHER TERESA IN NYC

SOUND:
JIM BARATH: TRUMPET
JIM BARBARO: SOUND
MEG CAREY: SOUND
LAURA BIAGI: SOUND
JAN MATTOX: SOUND

ACTORS/COLLABORATORS:
PAUL McMAHON
FAHEEM HAIDER
BONNIE SMITH
LINDSEY O'LEAREY
MARC RABINOWICH
CHRISTINA VARGA
LAURA KOPCZAK
CHRISTINA TANAGLIA
DIANE DWYER
LISA DARMS
EAMES ARMSTRONG
CYBTHIA SINCLAIR
JOAN MONASTERO
BARBARA CARRELLAS
ESTHER SILVER
VICTORIA SINGH
BETH STEPHENS
ANNIE SPRINKLE
JULIE MANNA
GREG ARCHER
RAQUEL RABINOWICH
NANCY DONSKOJ
JANET DEES
STEVE COLLINS
KTSHORB
BONNIE COLLUM
LYNN HERRING
ELISA PRITCHER
JOSEPH CONRAD FERM
RYAN BALTOR
IRMA SAGAZIE
KATHE IZZO
MR AND MRS SAUER
ANDREA DOMINQUEZ
Z HEINEMANN
MISS TONI SILVER
LEAH ARON
KAREN FINLEY
MARTHA WILSON
LINDA WEINTRAUB
KATHY BREW
BRITTA WHEELER
JAN MATTOX
MEMBERS OF FATHER HARTY DRUM CORPS/INTERVIEWEES
DR. ARUNA MEHTA
DR. FABIO DANISI
JONATHAN ROWAN
TOM MARIONI
NICOLAS DUMIT ESTEVEZ
MILDRED MONTANO
HENRY MONTANO
LISA BARNARD KELLEY
LIN LERNER
LAURA BIAGI
FATHER LEBAR
JULIA BABCOCK
GENE LOEB
TONY BUZZANCO
AGNES SHEFF
ALAN BAER
DR MARIE LOUISE JOHNSON
VERA JACOBS
DR. DOLORES HULL
ANDY BUZZANCO
TONY BUZZANCO
LUBA DONSKOJ
CECILIA WAAGE
STEVEN KOLPAN
DR. HERMANN ASH
HOLLY BEYE
LINDA MARY MONTANO


ACTIVITIES AT CELEBRATION:  COLLABORATORS PRESENT WILL SHARE A BRIEF CELL PHONE DISCUSSION OF THEIR COLLABORTION;  SHOWING/DISCUSSING IMAGES FROM THE VIDEO THEY PARTICIPATED IN.

DRESS/EAT/TIME:  VERY WARM.
BRING POPCORN TO SHARE.
WILL START AT 2PM.
PARK ON WEST BRIDGE STREET OR AT THE BEACH.

MISCELLANEOUS THINGS FROM THE WEBSITE

MISCELLANEOUS THINGS FROM WEBSSITE....


After 1998, things stopped and began.
  STOPPED: My seven year tenure trac job at the University of Texas Austin was terminated and tenure denied and after a year of struggle with lawyers, sobbing over hundreds of protest letters of support and an publically and proudly waving around an appeal from then Governor George W Bush (artist), saying: "Linda Montano  should/can /must be hired by UT for Assistant Professor or is it Associate professor..." or something like that, I surrendered. Georgie's letter of support didn't make any difference and didn't sway the UT President so I was forced to follow my inner voices that for months had chanted, "Linda, go home and be with your father." My theory is that I was not brave enough to listen to my intuitive whispers so the university played the role of prod/deus ex machina and the deed was done FOR ME by them. My subconscious was let off the hook. Being fired left me kicking and screaming all the way back to upstate NY, isolating myself for two years in my beautiful ART/LIFE INSTITUTE studio/home in Kingston NY where I  read and re-read my glowing student evaluations and let it really sink in that I was REALLY NOT an academic and that being exiled to the cold-gulogued northeast was actually a boon!
BEGAN: Dad and I began a video collaboration. It was as exciting as teaching actually because I was in the line of his attention, an attention that was not possible when he and Mom worked 6 and a half days a week to feed/clothe and shelter all 4  kids and themselves. So I basked in his wonderful presence and attention, chauffeured Dad and his classy "girlfriend" to restaurants but more importantly, teaching me skills that I would need soon after, that is, life how too's. How to start his lawn mower; how to really make good use of doctor visits by writing symptoms down before going and writing the doctor's comments while there; how to save water; how to go to church everyday; how to visit relatives as a sign of loyalty; how to forget betrayals of ex-friends; how to be silent and content; how to be gracious; how to let people who did carpentry and other home repairs for him do their job and pay a fair wage; how to never gossip about anyone; how to make linguine and clams; how to not want things; how to enjoy Wheel of Fortune and how to forgive.
STOPPED: An unspeakably horrendous and terrible mishap/mistake by a psychopathic therapist at his Physical Therapy visit resulted in his having a hemorrhagic stroke and three of those seven years I spent with dad were in his home, now a nursing home so to speak. I became a  24-7 caregiver and manager of the 94847 people who were hired  to take care of him. Since Dad and I had already begun our video collaboration, I continued taping our life together and the camera, the humongous and original  porta-pak, became my shield and hiding behind it alleviated my being present to the unspeakable sorrow of witnessing that Dad had STOPPED!  My choice was to be a step removed or else die with him.
After his death in 2005, I edited the footage and performed along with the video as mourning and not art.  This was truly life-art and life and not art and taught me about art that could not be sold or bought or written about or critiqued. Grief is unreviewable, unmuseumable, un Artforumable. VIDEO
STOPPED: Four years later my adopted "mother" Dr. Aruna Mehta died. And my art-life stopped as I took care of her in hospitals and rehabs and at her family's home. Observing her methodology and grace and ability to USE illness as  a job, I felt privledged to be in her presence and learn theologically how to age and let go, even of life itself. Ba could have been a big-time GURU FROM INDIA but chose to love those lucky enough to either be born into her family or those who were included in her compassion. After her cremation, a few of us drove back to her family's home  in her grandson's car and 15 feet from the crematorium, another  car parked on the street to our right, burst into 40 foot flames as we passed it.  Obviously a minor indication of her profound spiritual "power." The flame still burns.
BEGAN: Dystonia is a neurological-parkinsonian-chronic condition that produces strange contortions and tremors and spasms and in my case, makes, literally makes my head squirm and twist and lock to the left without my permission. Mine appeared after my father died and of course I followed my art rule and not only made art with it but maybe even made money off of it because I was able to appear as Mother Theresa  who I resembled in my crooked and bent over spinal contortions. The way that art event was born goes like this: one day I was experiencing a dystonical "storm"(seizure-like cramping) and my inner voice said to me, "Linda, you look just like Mother Theresa!" And so, I take seriously those voices and I said, if I look like her then I need to be her. Getting permission from her Bronx nuns to "play" Mother Theresa in my art, I appeared  at the Empire State Building on her 100th birthday in protest because they wouldn't turn the lights to blue and white but DID turn the lights to yellow for Sponge Bob! Really!See the videos Dystonia and  Mother Theresa (VIDEOS)
 
BEGAN: Although I had begun a "school" in 1998, as a way to reflect to others the intricacies and excitements of making a 7 year structured/conceptual frame to hang my content on, others were as excited as I was by the prospect and "studied" with me online via  ANOTHER 21 YEARS OF LIVING ART, 1998-2019. They did exciting and engrossing and fabulous things and connected me to the art world in an exciting way as we emailed and skyped and encouraged each other's 7 year performances. The mission statement/participants/invitation:
 
 
 

THE PUBLIC INVITATION:
 
Linda Montano, FF Alumn, seeks a collaborator.
Do you want to collaborate with Linda M. Montano? Linda M. Montano is looking for someone who would like to perform the Second 7 years of  21 YEARS OF LIVING ART.  After completing 14 YEARS OF LIVING ART, Montano gave the first seven years of 21 YEARS OF LIVING ART to Betsea Caygill and this Term will  finish december 8, 2005. The next  person will begin December 8,2005 and complete the performance December 8,2012.( Actually there were 12 participants in the second 7 years. Two people in the third seven years.)
What to do: you can do research on the seven sacraments, seven chakras, seven sins, the  Kaballah, seven colors of the rainbow or any other intimate interest .It should  be researched before the performance.
Look at  www.bobsart.org to see some images of the ways I lived the 14  Years of my performance.  You , of course, will do things your way. (this is now:  www.lindamontano.com)
Design a  safe, nurturing, helpfull to self and others vow  that you will take for  those  seven years  that will help your art/life.
What is expected: at the end of the performance, December 8, 2012, you will send me/email also, a seven page paper which consists of one page from a year-end report from each of the seven years.

What you get: A PERFORMANCE ART SAINT CERTIFICATE at the end of the Performance.

To apply:
_(End of announcement listed on Franklin Furnace, 2004 )___________________________________________________________________________________________________________

ANOTHER 21 YEARS OF LIVING ART: LINDA MARY MONTANO 1998-2019

ANOTHER 21 YEARS OF LIVING ART (1998-2019): LINDA MARY MONTANO

MISSION STATEMENT: ANOTHER 21 YEARS OF LIVING ART (1998-2019) is art that compassionately practices an appreciation for life and is a durational continuation of my exploration of the art of consciousness. The artist/lifeists invited to this experience, ecumenically choose their own unique methodologies and explore their work while remaining in virtual/internet communication with each other throughout their practice of compassionately transforming their life, via art. It is based on Linda Mary Montano’s endurance: 7 YEARS OF LIVING ART + ANOTHER 7 YEARS OF LIVING ART = 14 YEARS OF LIVING ART, 12/8/1984—12/8/1998. www.lindamontano.com www.vdb.org http://lindamarymontano.blogspot.com

DESCRIPTION: “When I finished 14 YEARS OF LIVING ART, an art experience-endurance based on the 7 chakras, I became so enamored of working with time that I wanted to share that joy with others, and so I designed ANOTHER 21 YEARS OF LIVING ART. I felt that other artists could become virtual/internet art family and I would feel as if I were in good company, with like-minded friends, doing work based on time, endurance and with reference to my past work, but interpreted by each artist according to their discipline, practice and personal aesthetic.

I am proud and honored to be in the company of the following life-artists in this Scholl of ART/LIFE.” Linda Mary Montano

PARTICIPANT IN THE FIRST SEVEN YEARS OF ANOTHER 21 YEARS OF LIVING ART: 1998-2005: BETSEA CAYGILL: LIVING LIFE ARTFULLY.

PARTICIPANTS IN SECOND SEVEN YEARS OF ANOTHER 21 YEARS OF LIVING ART: 2005-2012

MICHELLE BUSH: SEVEN YEARS OF POSITIVE OBSESSIONS, 12/8/2005-12/8/2012. I obsess on one sentence/statement and colour in relation to the chakras producing collaborative or interventionist and performance pieces each year.

BARBARA CARRELLAS: EIGHT NEW/ANCIENT SACRAMENTS OF PLEASURE AND CHANGE, 12/8/2004-12/8/2011. I create chakra-based rituals which I celebrate on the eight natural holidays (solstices, equinoxes, etc.) that explore and celebrate the paradoxes between the fixed commitments/initiations of the seven sacraments of the Catholic church and the ever-changing, fluid realms of intuition, pleasure and nature. EIGHT YEARS OF LIVING ART, www.barbaracarrellas.com

SC DURKIN: SEVEN YEARS OF MUSIC, 12/8/2005-12/8/2012. I endeavor to learn one musical instrument a year for the next seven years. SEVEN YEARS OF MUSIC, www.scdurkin.com

KOOSIL-JA HWANG: 12/8/2004-12/8/2011. www.dancekk.com

VERNITA N'COGNITA: 7 MORE UNTITLED YEARS OF WHEREVER MY ART LEADS ME, 12/8/2004-12/8/2011. www.ncognita.com

ESTHER K. SMITH: THEIR HOUSE IS A MUSEUM, 12/8/2004-12/8/2011. Seven years in other people's houses. EK SMITH MUSEUM, www.purgatorypiepress.com

KRISTA KELLY WALSH: SEVEN MIRRORS, 2006-2012. My work is based on the Cabalist system of reading the will of the seven planetarty spirits in the seven mirrors that are made of seven metals and associated with the 7 days of the week, seven planets and cooresponding themes. Each year I will make a corresponding mirror and wear a bead of the same metal, make projects and performances based on the themes of that metal.

SATELLITE PROJECT:
The satellite project is an ongoing congruent program of artists/lifeists within ANOTHER 21 YEARS OF LIVING ART.

PARTICIPANTS IN THE SATALITE PROJECT:

STEVEN REIGNS: S(T)EVEN YEARS, 1/12007-1/1/20014. I intend to explore the connection between art, life, and spirituality through writing practice, public writing workshops, and publishing chapbooks. S(T)EVEN YEARS SANCTUARY, www.stevenreigns.com

VICTORIA SINGH & KURTIS CHAMPION: SON/ART—CHAKRA COLOR RITUALS, 7/7/04-7/7/11. Kurtis celebrates the chakra colors of each 'year' with art projects on the 7th day of each month.

ELIZABETH STEPHENS & ANNIE SPRINKLE: LOVE ART LABORATORY—7 YEARS EXPLORING LOVE AS ART, 12/8/2004-12/8/2011. We make art about love. LOVE ART LABORATORY, www.loveartlab.org

PARTICIPANTS IN THE THIRD SEVEN YEARS OF ANOTHER 21 YEARS OF LIVING ART: 2012-2019

EK SMITH;CLEANING/SINGING/DRAWING I will divide my living/working space into 7 sections. Each year, for 7 years, I will clean and organize my space, singing as I work, and documenting my experiences with an ongoing series of drawings.

  NELLS FASTY:"Seven Years of Forgetting" is a 7 year performance, 2012-2019. I will choose a new number everyday based on trying to forget the previous day's number that had been chosen. Each year, the numerical results will be turned into a musical composition using computer software to interpret the data. ___________________________________________________________________________________________________________________________________________   
  
BACKSTORY OF ANOTHER 21 YEARS OF LIVING ART 1998-2019


WHY I CREATED IT:
I was on a roll having completed 14 YEARS OF LIVING ART, 1984-1998; wearing one color clothes and  experiencing thousands of disciplines/vows to keep me anchored in the 7 Chakras. I had also just finished a 7 year performance art teaching commitment at the University of Texas, Austin, 1992-1998, and as a  cocky academeze, I believed that the next move in my process must be an imitation of my  experience and so I developed what approximated a self-designed school based on my past 7 years as a "professor" and called the institution,  ANOTHER 21 YEARS OF LIVING ART.
 My motives were:
1. To extend my research to others.
2. To create an institution devoid of the stink of academia.
3. To allow others to be with me/near me virtually and online, not in the flesh.
4. To dissolve the teacher-student dyad and allow everyone to enjoy their own professorship.
5. To dislodge $ from the equation and offer the experience for free.
6. To make sure that nothing was demanded of the participants: no grades, no dissertations, no nothing if that was what they decided.
7. To make sure that it was fun.

WHAT HAPPENED:
As I write this, it is 2015, and the experience in non-teaching is almost over and as I look back, I am amazed at how  organic it was . That is, it came into being, effulgently expanded and peacefully rescinded.
Here is how it happened;  per usual, I put out a call for participants, advertising it, at  Franklin Furnace. That had worked so perfectly when I had put out a call for THE SUMMER SAINT CAMP which I offered during 14 YEARS OF LIVING ART 1984-1998. Many, many came to be with me at  THE ART LIFE INSTITUTE thanks to  Franklin Furnace and Martha Wilson who let the art world know our needs, then communicated them to our tribe, inviting artists/lifeists to participate.
 
 

PAULINE OLIVEROS TALKING ABOUT HERSELF .... FOR VIDEO PAULINE OLIVEROS RE:BORN

PAULINE OLIVEROS TALKING ABOUT PHOTOS OF HER FOR  VIDEO:  PAULINE OLIVEROS: REBORN






https://drive.google.com/file/d/0B6CQgctqsy9-RVp0S0pxSmVnVFE/view?usp=sharing